Skyla Grace
Skyla Grace is the founder and curator of AI Art House. Every piece on the site has been reviewed, edited, and approved by her before it ever reaches the catalogue. If you've bought a print from us, it passed through her hands first.
Background
Skyla trained in fine art at Central Saint Martins in London, spent seven years working as a gallery assistant and later an associate curator in commercial contemporary spaces, and opened AI Art House in 2024 after becoming frustrated with the mass-production economics of the print market. The problem she kept running into was that every interesting piece of digital art she wanted to hang on her own wall was either available in unlimited editions — making it meaningless the moment you saw it on someone else's Instagram — or priced as a five-figure original commission she couldn't justify.
Generative image models, when handled with real editorial discipline, solved the problem. They made it possible to create work that was unrepeatable in practice: shaped by one artist, one prompt, one seed, one set of decisions, in a specific moment that couldn't be recovered. The tools made one-of-one production economically possible for the first time. AI Art House is built entirely around that idea.
How she curates
Skyla reviews every candidate image before it's listed. The criteria are not technical — a clean, sharp render isn't automatically interesting. She's looking for pieces that reward sustained attention: strong composition, clear intent, colour that holds up in a real room, and the quiet confidence that only survives a long editing process. More than 85% of candidate work is rejected. Everything that makes it through has been chosen because she'd personally hang it on her own wall.
That curatorial discipline is the thing that separates AI Art House from the hundreds of generative-art shops that spun up in 2023 and 2024. It's also why she's willing to guarantee one-of-one production: if the catalogue is going to print once and retire forever, every piece has to be worth that kind of commitment.
Influences
Isla's curatorial eye is shaped by Agnes Martin's quietness, Hiroshi Sugimoto's patience, Luc Tuymans's restraint, and the everyday discipline of the great gallery curators she worked under in her twenties. She writes about art, interiors and curatorial decisions on the AI Art House journal, and handles every customer enquiry that comes through the site personally.
Contact
If you've got a question about a piece, a commissioning enquiry, or an interiors conversation you'd like her opinion on, email skyla@aiarthouse.com or use the contact page. She reads everything, and typically responds within 24 hours.